This is their debut full length record, released in 1994 on Sub Way Rock. It has a raw production sound reminiscent of early days death metal.
This is their sixth and final studio album, released in 1999 on Bong Load. The double A side single "Freeway"/"Mantra Down" was available to buy only for a short time on the internet as a 7" single.
This is their fifth album, Recorded in late 1996 and released in February 1997, the album was favored by critics yet dismissed by many earlier fans of the band. Bassist Jennifer Finch left the band during the recording, and was briefly replaced by Greta Brinkman. Bass on the album was performed by Brinkman and the band's frontwoman Donita Sparks.
This is their fourth album, released in July 1994 during their Lollapalooza tour. The title is taken from a personal ad that was seen by one of the bandmembers shortly before the album was released. Musically the album is heavier than the band's previous work, marking the culmination of their progression from a largely punk to metal sound. Lyrically the songs concern "darker" themes; for example stalking on "Can I Run", and depression and insanity on "Questioning My Sanity".
This is their third album, released in April 1992 through Slash Records. By late August, the album had reached #1 on Billboard's Heatseekers album chart, and two weeks later it peaked at #160 on the Billboard 200. Musically the album is heavier and dirtier than the band's previous recordings. While the band retained its punk and hardcore punk roots, there was more emphasis on heavy metal than before. It was produced by Butch Vig.
This is their second album, released on Sub Pop. It was initially released in September 1990 as a 12" EP containing only the first six songs. It was reissued on CD in July 1991, expanded to album length with three more tracks: "Packin' a Rod", "Just Like Me", and "American Society". The opening song, "Shove", was released as the band's first single.
L7 is the eponymous debut album by Los Angeles band L7. Recorded in 1987 and released in 1988 on Epitaph Records, the album demonstrates the band's punk rock origins, although there are traces of the heavier grunge sound that would dominate their later work.
This is a LP released in 2002 on Black Lotus Records. It was recorded in Praxis studios.
This is their second LP, released in 2000. With this album their music has became more complex, melodic and technical, covering more styles such as thrash and death.
This is their first LP, released in 1998 on Black Lotus Records. Aggressive riffs, melodic passages and dark, conceptual lyrical focus on paganism and a unique style. With a duration of 50 minutes, it contains a conceptual three-part story called “Thorns Of Charon”, dedicated to the goddess Astarte.
This LP was released in 2004 on Avantgarde Music.
This is their first full-length album, released in 1994 on Grand Royal. The album spawned three minor hits with "CitySong (NY State Of The World)," "Deep Shag" and "Here", the latter featured in the Alicia Silverstone film Clueless. In addition, all three singles had music videos which could be seen on MTV.
This is their second full-length album, released on the Grand Royal label in 1996 (produced by Daniel Lanois). This album is most well-known for the track "Naked Eye," which enjoyed some success in the Top 40. In mid-1997, Fever In Fever Out was certified gold.
This is their fifth full-length, released in February 2007 on Avantgarde Music.
This album is a compilation of their first two LP's, 1984's Cat Farm Faboo and 1986's Faster, Frightwig: Kill!! Kill!! Released in 1993 on Southern Records.
An EP released in 1990 on Boner Records.
This is an EP that came out in 1991 on Feel Good All Over and has since been re-released on Simple Machines. Every song is a vinegar tornado of guitars and heartbreak plus an outstanding cover of Cheap Trick’s “High Roller” (and weirdly Paula Abdul’s “Cold Hearted Snake”).
foxcore/indie, USA
Their debut album, released on Subterranean Records in 1984.
punk/foxcore, USA
This is their eleventh studio album, released on Wacken Records in 2008. This album celebrates the 30th anniversary of Girlschool, making it the longest running all-female metal band in activity. A few musicians that the band befriended in the many years of incessant touring, lent a hand in completing the recording. Former guitarist Kelly Johnson, deceased in 2007, contributed with her spiritual presence to the work. The song "Legend" is dedicated to her.
This is their tenth studio album, released on Communiqué Records in 2004. It was the first album entirely played by the formation with new guitarist Jackie Chambers. It was re-released in 2008 in a limited edition, including the DVD Around the World, with footage from concerts and tours of 2004 and 2005. This limited edition was self-produced and sold through their official website and at concerts.
This is their eighth studio album, eleased on Communiqué Records and Progressive International in 1992. It is the fourth and last studio album recorded with lead guitarist Cris Bonacci and the only one with bassist Jackie Carrera. It is also the first Girlschool album to by self-produced for an independent British label. The album was going to be called No Bollocks! But in the end they decided to call it simply Girlschool because they realized they'd never used the name of the band as a title before.
This is the last full length album by the Red Aunts. It was released in 1998 on Epitaph.
This is the third full length album by the Red Aunts. It was released in 1995 on Epitaph. Contains 14 tracks of thrashing noiserock. Produced by “big daddy” Brett Gurewitz, Epitaph/Bad Religion founder.
This is the first full length album by the Red Aunts. It was released in 1993 on Sympathy for the Record Industry.
This is their seventh studio album, released by GWR Records in 1988. It is the first album to feature Tracey Lamb on bass, replacing Gil Weston-Jones. The album was produced by Monty Python's collaborator André Jacquemin at Redwood Studios.
Released in 2011 on Wallace Records and Basement City Records. Eight heavy and doomy songs, a mix of sludge, noise, doom, punk played by just one distorted bass and powerful drums. On this record Agatha's sound takes a heavier direction, with growl voices, screams and big bass chords. The LP comes out with a beautiful shaped watercolor artwork, painted by acclaimed italian tattoo artist Pietro Sedda and photo shots by ELena Buscemi.
is the sixth studio album by Girlschool, released on GWR Records in 1986. Under the direction of producer Vic Maile, this album marks the return of the band to the sound of their earlier works and to a four-piece formation. All tracks were composed by the four musicians, except for Mud's cover "Tiger Feet".
This is the fifth studio album by the Girlschool, released on Mercury Records in 1985. It is the only studio work released as a five-piece group after singer and lead guitarist Kelly Johnson had left the band. Vocals duties on the album are shared by Jackie Bodimead and Kim McAuliffe. Running Wild was released only in America and presents a more commercial sound than Girlschool's early albums, to satisfy the taste of an audience used to the sound of FM AOR and glam rock. It was produced by Nick Tauber. The song "Do You Love Me?" is a Kiss cover.
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