This is their debut full length record, released in 1994 on Sub Way Rock. It has a raw production sound reminiscent of early days death metal.
This is their sixth and final studio album, released in 1999 on Bong Load. The double A side single "Freeway"/"Mantra Down" was available to buy only for a short time on the internet as a 7" single.
This is their fifth album, Recorded in late 1996 and released in February 1997, the album was favored by critics yet dismissed by many earlier fans of the band. Bassist Jennifer Finch left the band during the recording, and was briefly replaced by Greta Brinkman. Bass on the album was performed by Brinkman and the band's frontwoman Donita Sparks.
This is their fourth album, released in July 1994 during their Lollapalooza tour. The title is taken from a personal ad that was seen by one of the bandmembers shortly before the album was released. Musically the album is heavier than the band's previous work, marking the culmination of their progression from a largely punk to metal sound. Lyrically the songs concern "darker" themes; for example stalking on "Can I Run", and depression and insanity on "Questioning My Sanity".
This is their third album, released in April 1992 through Slash Records. By late August, the album had reached #1 on Billboard's Heatseekers album chart, and two weeks later it peaked at #160 on the Billboard 200. Musically the album is heavier and dirtier than the band's previous recordings. While the band retained its punk and hardcore punk roots, there was more emphasis on heavy metal than before. It was produced by Butch Vig.
This is their second album, released on Sub Pop. It was initially released in September 1990 as a 12" EP containing only the first six songs. It was reissued on CD in July 1991, expanded to album length with three more tracks: "Packin' a Rod", "Just Like Me", and "American Society". The opening song, "Shove", was released as the band's first single.
L7 is the eponymous debut album by Los Angeles band L7. Recorded in 1987 and released in 1988 on Epitaph Records, the album demonstrates the band's punk rock origins, although there are traces of the heavier grunge sound that would dominate their later work.
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